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Four-year-old boy accidentally smashes rare 3,500-year-old jar at Israeli museum

The jar had been on display for 35 years and was one of the only containers of its size and period that was still complete when it was discovered.

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A rare bronze-era jar that was accidentally smashed by a four-year-old child during a visit to the Hecht Museum in Haifa, Israel

A four-year-old boy who accidentally broke a rare 3,500-year-old jar in an Israeli museum has been forgiven and even invited back, as curators hope to turn the disaster into a teachable moment.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash last Friday, “please let that not be my child” was the first thought that raced through his head.

“He’s not a kid that usually destroys things, he just wanted to see what was inside,” Mr Geller told The Associated Press.

A rare bronze-era jar that was accidentally smashed by a four-year-old child during a visit to the Hecht Museumin Haifa, Israel
A rare bronze-era jar that was accidentally smashed by a four-year-old child during a visit to the Hecht Museum in Haifa, Israel (Hecht Museum/AP)

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbar Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

Ms Rivlin said the jar was displayed at the museum entrance, and that the family quickly left without finishing their visit.

She wants to use the restoration as an educational opportunity and make sure they feel welcome to return.

Mr Geller and his family live in the northern Israeli town of Nahariya, just a few kilometres (miles) south of the border with Lebanon, in an area that has come under Hezbollah rocket fire for more than 10 months in a conflict linked to the war in Gaza.

The family were spending the summer break visiting museums and taking day trips around Israel to escape the tensions, Mr Geller said.

There were a lot of children at the museum that day, and Mr Geller said he fervently prayed the damage had been caused by someone else.

When he turned around and saw it was his son, he was “in complete shock”.

“My wife responded faster than me, she grabbed our son to take him outside and calm him down and explain that it was not OK what had happened,” said Mr Geller.

He went over to the security guards to let them know what had happened in hopes that it was a model and not a real artifact.

“We said, if we need to pay we will, whatever will be will be. But they called and said it was insured and after they checked the cameras and saw it wasn’t vandalism they invited us back for a make-up visit.”

Mr Geller said his son did not quite understand the international interest in the broken jar, but their tight-knit community in Nahariya was following the media reports with interest and was proud of their local celebrity.

The Hecht Museum hopes to harness that interest to encourage more people to visit the museum and learn about artifact restoration.

Using 3D technology and high-resolution videos of the jar, experts plan to complete the restoration in a matter of days.

It could be back on display as early as next week.

“That’s what’s actually interesting for my older kids, this process of how they’re restoring it, and all the technology they’re using there,” said Mr Geller.

The jar, which had been on display at the museum for 35 years, was one of the only containers of its size and period that was still complete when it was discovered.

It was likely used to hold wine or oil, and it dates back to between 2200 and 1500 BC.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar.

Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

He said the restoration will take several days because they use special glue to connect just a few pieces at a time.

The process will be documented for educational purposes.

Mr Shafir, who will painstakingly reassemble the jar — even though he says he hates puzzles — still wants to keep the artifacts accessible to the public, even if accidents happen.

He said it is important for visitors to touch artifacts because that connection can inspire a deeper interest in history and archaeology.

“I like that people touch. Don’t break, but to touch things, it’s important,” he said.

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