Patience, English Touring Opera, Wolverhampton Grand - review

A satirical Gilbert and Sullivan musical comedy, this opera tells the tale of milkmaid Patience, whose love is coveted by two suitors.

But she is no foolish girl, unlike the others in the play - and her bolshy character, played by the superbly talented Lauren Zolezzi, is highly amusing. Her voice is absolutely beautiful too - a gorgeous, well-mastered soprano, whose strength and range was stunning throughout.

Another key star was the tremendous Bradley Travis who played the part of the effeminate and flamboyant Reginald Bunthorne - one of the men after Patience, who is admired and desired by a group of lovesick maidens. Though almost expected and very commonplace in Gilbert and Sullivan shows, the speed at which Bradley was able to sing - while maintaining a wonderful, unwavering strong tone - was jaw-dropping.

Each of the songs was delivered excellently and the lyrics to each of the witty numbers had the crowd giggling throughout - many even knew all the words.

Those who didn’t were shown the words on screens either side of the stage - though they didn’t always work. And, with the incredible speed of some of the songs, the screens couldn’t always keep up.

The male chorus - performing the parts of the Dragoon Guards was another true highlight, with blissful harmonies and wondrous strength. They were led by brilliantly strong and powerful tenor Aled Hall, who played the part of Lieutenant The Duke of Dunstable.

The only flaw in the show for me was the story itself. The company were excellently professional and the voices tremendous. Even the ornate green arch which formed the scenery was lovely.

But the story was simply too old-fashioned and slow-paced for my liking.

Not one of Gilbert and Sullivan’s greatest tales - but an enjoyable evening nonetheless. Though it took some 'Patience' in parts.