Caro Emerald, Symphony Hall, Birmingham - review

Supported by the impressively talented Loren Nine, who began the night with her melancholic sound and lyrics. She served as the complete antithesis to upbeat jazz that we were to expect from Caro, yet her powerful vocal talent blew away the audience as it resonated throughout the performance hall.

Caro Emerald's own entrance was done so with her distinctive voice which was automatically greeted by thunderous applause as though she had performed an encore.

It's impossible not to be impressed by how Caro oozes a classic style effortlessly, reminiscent of the 50s and 60s era, both in her look and her performance.

Despite her voice faltering at times due to illness, her energy and talent was unimpeded and the Dutch singer remained a true professional. Not wanting to let her fans down, she told the audience that every song would simply be 'a new challenge'.

Playing well known tracks such as Liquid Lunch and Wake Up Romeo, Caro also introduced us to the new tracks such as Ghost of You and never-before-heard acoustic single Close to Me.

Working with a vast array of instruments, including an original Cuban guitar, each and every song was filled to the brim with a distinctive energy and sound that meant no matter the tone of track - whether it was melancholic or upbeat - was enjoyable.

Commenting that she loves playing in the Symphony Hall, Caro and her band were polished in the their performance in every way as each member had a solo part, as well as an instrumental that played whilst Caro changed outfit, that put the spotlight on their undeniable talent.

As the performance continued the audience became more and more involved with the stellar performance as people began get up and clap. In fact half way through the concert everyone was up on their feet swaying and dancing in communion, and with some members of the audience up on their feet from the the get go, it was clear that Caro had cultivated a group of dedicated, passionate fans in the West Midlands.

It was a treat to be welcomed to the colourful world of Caro Emerald. Her vintage jazz sound felt as though we were starring in films such as The Man from Uncle or an old James Bond film but the modern twist incorporated into it made the performance feel fresh and new.

Her natural stage presence was impressive and her addictive sound could not have been accomplished without the amazing band behind her and the acoustics of the Symphony Hall.

By Eleanor Forrest