Still a must see even after forty years. FIVE STARS!

While one twin is dragged up in the slums of Liverpool, the other who, although living in the same city, enjoys the love and security of a middle-class family. It is inevitable however that they should meet and so a tale of inequality, love and eventually hate begins.

From the pen of the unconventional author Willy Russell, the storyline mocks the English class system and has political undertones,  but also depicts the life and loves of two young men connected by blood, yet so different in many ways. The consequences of that connection have a profound effect on those around them. 

Russell has that rare ability to make audiences laugh out loud and cry inconsolably in equal measure, within a simple sentence or a line in a song. Believe me, his writing will stay with you long after the curtain has dropped. But don’t be put off; “Blood Brothers” is not all doom and gloom, as there are so many amusing interludes in this roller coaster of a show, with a story peppered with spirited Liverpudlian humour.

“Blood Brothers” stalwart Sean Jones, has played the part of Mickey for many years now, and never has an actor been more suited to a role. The way in which he takes the character from child to troubled young man means that Mickey literally grows up before our eyes.  His comedic skills and total lack of inhibitions are hilarious in the childhood scenes, and then his dramatic performance as the older Mickey is sad and spell-binding to the point where you could hear the audience gasp at the conclusion of the story. Long may this combination of actor and character continue because he is outstanding.

There was an understated vocal performance from Vivienne Carlyle as Mrs Johnstone, which is a contrast to previous actresses I have seen in this role.  She gave an emotional performance as the abandoned, down-trodden woman left with little option but to part with her child in order to survive, and the scenes between Vivienne and Sarah Jane Buckley as Mrs Lyons were simply heart-breaking. 

Meanwhile Joe Sleight was appealing and endearing as Eddie, portraying this refined character with ease, and delivering the comedy in the role to perfection.  The chemistry between Joe and Sean was tangible.

Sean Keany was menacing and intimidating as the Narrator with a perfect Irish Liverpudlian accent, and at every entrance the mood darkened and the tension rose, such was the power of his performance. 

The musical numbers in “Blood Brothers” are iconic. From the light and frothy opening number, aptly entitled “Marilyn Monroe” where we are introduced to Mrs Johnstone as an attractive, innocent young woman enthusiastic about life,  to  “Tell Me It’s Not True”, one of the most dramatic finales in musical theatre today,  the music is unforgettable.  Musical Supervisor Matt Malone and the six piece band should be applauded for its faultless execution.          

The show was directed by the late Bill Kenwright and Bob Tomson, and is precise and clean and whips along despite it being a lengthy piece. A special mention should also go to the hard work of Tim Churchill, the resident director who is obviously overseeing the production on tour, as well as appearing in several small roles in the show.

The scenery is static but effective, with an updated lighting plot that is atmospheric and sets a distinctive mood in every scene as the configuration of the storyline changes. 

“Blood Brothers” is part dramatic play, part musical and still a must see for those who enjoy gritty, striking performances and a host of songs with intelligent, literary lyrics which tell the story to perfection. 

The standing ovation was expected and fully deserved, proving that “Blood Brothers”  remains as popular today as it has ever been.  

For tickets, visit grandtheatre.co.uk or call 01902 429212. Runs until Saturday.